The Red Badge of Courage and Selected Short Fiction (Barnes & Noble Classics)

The Red Badge of Courage and Selected Short Fiction (Barnes & Noble Classics)

Language: English

Pages: 240

ISBN: 1593081197

Format: PDF / Kindle (mobi) / ePub


The Red Badge of Courage and Selected Short Fiction, by Stephen Crane, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:
  • New introductions commissioned from today's top writers and scholars
  • Biographies of the authors
  • Chronologies of contemporary historical, biographical, and cultural events
  • Footnotes and endnotes
  • Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
  • Comments by other famous authors
  • Study questions to challenge the reader's viewpoints and expectations
  • Bibliographies for further reading
  • Indices & Glossaries, when appropriate

All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.

 
Young Henry Fleming dreams of finding glory and honor as a Union soldier in the American Civil War. Yet he also harbors a hidden fear about how he may react when the horror and bloodshed of battle begin. Fighting the enemy without and the terror within, Fleming must prove himself and find his own meaning of valor.

Unbelievable as it may seem, Stephen Crane had never been a member of any army nor had taken part in any battle when he wrote The Red Badge of Courage. But upon its publication in 1895, when Crane was only twenty-four, Red Badge was heralded as a new kind of war novel, marked by astonishing insight into the true psychology of men under fire. Along with the seminal short stories included in this volume—“The Open Boat,” “The Veteran,” and “The Men in the Storm”—The Red Badge of Courage unleashed Crane’s deeply influential impressionistic style.

Richard Fusco has been an Assistant Professor of English at Saint Joseph’s University in Philadelphia since 1997. A specialist in nineteenth-century American literature and in short-story narrative theory, he has published on a variety of American, British, and Continental literary figures.

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seemed to get absorbed in his subject. “I was talkin’ ‘cross pickets with a boy from Georgie, onct, an’ that boy, he ses, ’Your fellers ’ll all run like hell when they onct hearn a gun,‘ he ses. ’Mebbe they will,‘ I ses, ’but I don’t b‘lieve none of it,’ I ses; ‘an’ b’jiminey,‘ I ses back t’ ’um, ‘mebbe your fellers ’ll all run like hell when they onct hearn a gun,’ I ses. He larfed. Well, they didn’t run t’ day, did they, hey? No, sir! They fit, an’ fit, an’ fit.” His homely face was suffused

is all over. He’s up an’ gone, ain’t ’e? An’ he’s all right here. Nobody won’t bother ‘im. An’ I must say I ain’t enjoying any great health m’self these days.” The youth, awakened by the tattered soldier’s tone, looked quickly up. He saw that he was swinging uncertainly on his legs and that his face had turned to a shade of blue. “Good Lord!” he cried, “you ain’t goin’ t‘—not you, too.” The tattered man waved his hand. “Nary die,” he said. “All I want is some pea soup an’ a good bed. Some pea

what more can we do?” And it could always be seen that they were bewildered by the alleged news and could not fully comprehend a defeat. Before the gray mists had been totally obliterated by the sun rays, the regiment was marching in a spread column that was retiring carefully through the woods. The disordered, hurrying lines of the enemy could sometimes be seen down through the groves and little fields. They were yelling, shrill and exultant. At this sight the youth forgot many personal

cook. “No, they don‘t,” said the correspondent. “Well, we’re not there yet, anyhow,” said the oiler, in the stern. “Well,” said the cook, “perhaps it’s not a house of refuge that I’m thinking of as being near Mosquito Inlet Light; perhaps it’s a lifesaving station.” “We’re not there yet,” said the oiler in the stern. II As the boat bounced from the top of each wave the wind tore through the hair of the hatless men, and as the craft plopped her stern down again the spray slashed past

his own readings than through the curriculum itself: In the manner of the “blue demonstration” that Fleming complained about in Red Badge, Crane marched in military drills well enough to earn first a lieu-tenancy of a squad and later a student captaincy, but Claverack no longer maintained discipline to a degree that benefited its incorrigible students. At least Crane learned to play whist, a card game that he subsequently used to end an important chapter in his Civil War novel. After departing

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