Perspective Sketching: Freehand and Digital Drawing Techniques for Artists & Designers
Jorge Paricio
Language: English
Pages: 224
ISBN: 1631590324
Format: PDF / Kindle (mobi) / ePub
Go beyond the horizon with Perspective Sketching. This book offers a command of the basic principles of perspective that is essential to creating dynamic, plausible compositions. With a user-friendly approach, this step-by-step guide will help you master the basics like scale drawing, contour line drawing, linear perspective, tone and texture, and more. Freehand skills like intuitive perspective and concept sketching help you to deepen your technique. Artist and designer Jorge Paricio also includes lessons on working with 3-D modeling in SketchUp and painting in Photoshop and provides a full chapter in blending traditional hand skills with digital media. This effective technique that draws on a broad sense of artistic qualities, coupled with mastering perspective, creates a sketching book unlike any other.
Drawing on the Right Side of the Brain: The Definitive (4th Edition)
Strokes of Genius: The Best of Drawing
How to Draw What You See (Practical Art Books)
Drawing for the Absolute Beginner: Composition
Drawing Ideas: A Hand-Drawn Approach for Better Design
to the hose that is attached to the side and made sure that we marked clearly the breaks in between the different parts. The final touch was the addition of some highlight touches on specific corners, to bring them to the foreground. A: Adding color allows us to focus on the primary controls and adds visual interest. A B: Notch to represent a change in parts. D C: Extra details added to hose. D: Some highlights added to bring corners closer to the front. B C CHAPTER 1 – CoNToUR LINE
one or multiple passes to obtain the necessary color depth on top of some light gray tones to make the whole design more volumetric. A: 70 percent gray marker strokes for rubber texture. B: Two passes of 70 percent marker strokes for rubber sole. C: 10 percent gray marker lines to push volume. D: Pencil dots added to suggest suede. A D B C CHAPTER 1 – ToNE AND TEXTURE 61 41666 - Perspective Sketching_010-075.indd 61 41666 - Perspective Sketching_010-075.indd 61 (Text) (Fogra
edges gives the drawing a loose appearance. B: Hatching our lines allows us to indicate a shaded area or a change in material. A B CHAPTER 2 – CONCEPT SKETCHING 117 41666 - Perspective Sketching_076-141.indd 117 41666 - Perspective Sketching_076-141.indd 117 (Text) (Fogra 39)Job:08-41666 Title:RP - Perspective Sketching Dtp:225 Page:117 13/8/14 6:44 pm 13/8/14 6:42 pm Working with tracing paper over the first set of sketches allowed me to narrow down my ideas further, while still being
line and those belonging to the axle that is turning. In this phase I refined my lines and worked on cleaning up the concept. After that was completed, I added a strong gray value for the wheels, the shadow, and the areas to be painted in black. 144 PERSPECTIVE SKETCHING 41666 - Perspective Sketching_142-211.indd 144 41666 - Perspective Sketching_142-211.indd 144 (Text) (Fogra 39)Job:08-41666 Title:RP - Perspective Sketching Dtp:225 Page:144 13/8/14 6:46 pm 13/8/14 6:46 pm 41666 - Pers
higher point of view, so that I could clearly show the roofing. I am using two different black pens, a fine black pen of 0.2 mm and a thicker pen of 0.8 mm. A B C A: Double lines to represent the thickness of the roof line. D B: Thicker lines to mark the outlines of the protruding objects. C: Thin lines to represent roof shingles. D: Thin diagonal lines to represent glass panes on the windows. E: Thin lines done with a ruler to mark the main architectural features. E In this perspective