How to Draw Comic Book Heroes and Villains (Christopher Hart Titles)

How to Draw Comic Book Heroes and Villains (Christopher Hart Titles)

Christopher Hart

Language: English

Pages: 144

ISBN: 0823022455

Format: PDF / Kindle (mobi) / ePub

Today comic book heroes and villains are more popular than ever, appearing not only in print but in video games and movies as well. Now fans can learn how to create their own heroes and villains from such successful comic book artists as Gray Morrow of Superman, Frank McLaughlin of Batman, and Frank Springer of Spiderman and Conan the Barbarian. A superhero-mascot appears throughout the book guiding the reader with his humorous observations. Among the many subjects covered are heroic anatomy; monsters, mutants, and mythical creatures; action scenes, fights and combat; as well as designing special powers for heroes. Each section ends with a page entitled “Common Mistakes,” where the pitfalls and problems that beginning artists are most likely to encounter are demonstrated.

With its fun-to-follow format and variety of illustration styles, How to Draw Comic Book Heroes and Villains will encourage the cartoonist lurking in everyone.

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EYE YOU CAN PLACE THE REader/ViEWER JUST AS A FILM DirEcTOR DOE5, IN ALMost ANY P0siTION THAT WILL ACCENTUATE The AcTION TAKtNG PLACE. ...upshot... ...downshot... ...from behind... a difficult ANGLE oN ONe OF ThE M0st dIFFICULt ANIMALS to DRAW ...head-on... well. take the time and trouble to learn-it will pay off. THE SHAPE5 0F THE PANeLS thEM5ELVES, The WAY You brEAK UP ThE PAGe, CAN HELP YOU detERMINE tHE P.O.V. ANd AMPLIFY YOuR DESIGN OR cOMPOSITIOn OU NEED THEM TO TO DRAW

drawings. The approach above, left, doesn't show enough of the characters' faces to make the action compelling. The approach above, right, has wonderful dramatic angles. But the characters are still too far away to pull us into the story. The approach at right combines medium shots and close-ups with a variety of interesting angles. It's a keeper. the rough layout Oncethepencilerdecidesonthebestwayto panelcontainthemostimportantaction?Notice approach the script, he begins the rough

brand, ask the manager to help you choose something comparable. CIRCLE GUIDE Use a technical pen with a nontoxic ink to give you an even-weight line. Its points are interchangeable and come in varying degrees of thickness. It has a rigid feel. You should also buy a few nontoxic fine- line markers in different widths. Use a nontoxic India ink for inking and Pro White for whiting out. If you use nonwaterproof ink, your drawing will smear if it gets wet after the ink has dried.

characters with largest size an individual piece of art should be is whom the character interacts (no editor wants to 11 by 14 inches, and the smallest is 8½ by 11 inches. reinvent something that's working). This type of Show between ten and twenty pages, and include portfolio shows the editor that you can draw his color pieces if you have them. characters, which is what he wants. In addition, if To prepare a portfolio that is more specific to you can bring new life to a tired formula,

lexicon, become synonymous with the 'vamp.' So how do we recreate her? theda bara, the original film vamp that inspired countless clones. for the ladies it was “The sheik”, valentino, and for the men it was theda, the “sheba”. pulchritude plus poundage ...and today “T hefemmefatalemusthaveanexquisiteform. In today's more permissive media, we can get nearly as explicit as anyone would want. She should be slinky, catlike in her movements, arched eyebrows, slitted eyes, always posturing,

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