Acrylic Solutions: Exploring Mixed Media Layer by Layer
Chris Cozen, Julie Prichard
Language: English
Pages: 128
ISBN: 1440321124
Format: PDF / Kindle (mobi) / ePub
Fresh new ways to create fabulous paintings with mixed media techniques!
Acrylic Solutions provides the "hows" behind a multitude of effects you've admired in other artists' works--and then some! Based on the popular online teaching collaboration of Chris Cozen and Julie Prichard, this book illustrates a wealth of layering methods and techniques. Mix and match to achieve countless variations, building layer upon layer to create unique and wonderfully complex abstract art.
- Learn more than 30 step-by-step techniques for developing texture and visual interest, including collage, monoprinting, carving, color blocking, paint skins, raised stencils, glazing and so much more.
- Chapters explore the phases of a multi-layered painting, from surface preparation through adding structure, developing complexity and adding finishing touches.
- Follow the development of two paintings as each layer adds to the finished result, with tons of additional artwork throughout.
- Gain insight on how to make paints, mediums and grounds work for you.
Embracing a spirit of freedom and spontaneity, Acrylic Solutions is a stimulating guide for contemporary artists of any skill level. Beginners will learn how to make visually compelling paintings from start to finish, while more experienced artists will find the tools and inspiration to take their work to the next level.
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layers to remain visible. Notice the intricacies of the layered transfers. You’ll be able to see the book page text showing through the gate in the lower center of the painting and in the upper left-hand corner once you’ve rubbed off all the paper. Let the painting dry. STEP 4: Continue Color Blocking Continue color blocking so the colors become richer. Apply paint with caution until you decide which images will be covered and which will remain visible. Throughout the color applications,
Spray the surface one more time, then allow the paint to dry thoroughly on the palette paper. STEP 3: Cover With Medium Pour or spread clear medium over the dried paint surface, covering it completely. If you are using soft gel, you will need to apply at least two or three coats, allowing each to dry in between. STEP 4: Let Dry Allow the surface to dry until the product turns from white to completely clear. Thicker layers will take a longer time. If air bubbles develop in the medium, a
Stencil the Base Shake and test paint on a scrap surface to make sure your paint is mixed and flowing properly. Spray through a stencil. Stay close to the stencil. STEP 3: Add a Second Stencil Add a second stencil. Spray only a portion of the stencil so you are not left with a cookie-cutter image. STEP 4: Monoprint With Stencil Use built-up spray paint on the stencil to print your work while it’s still wet. Julie’s Finishing Touches: Adding Complexity at the End Even though they
palette knife can be captured. If you find they are a bit too stiff, add a little acrylic glazing liquid to your paint. There is the same amount of pigment in an ounce of fluid acrylic as in an ounce of the heavy-body. Earth vs. Lab Although these two paints seem similar in color, their pigments behave very differently. Indian Yellow Hue is comprised of pigments developed in a lab. Its paint film will be more sheer and glossy than Yellow Ochre, whose pigment is harvested naturally from the
the upper layers. Use white paint instead. Use matte medium to prep a substrate that you want to remain visible when painting begins. It is fluid, yet mostly transparent. Use a palette knife or brush until your canvas is evenly covered. The matte medium will seal the substrate once dried. Laying a Good Foundation: Preparing Wood Failure to prep a wood substrate will result in the wood absorbing a lot of paint. STEP 1: Prepare Wood Panels Sand the edges and surface of your wood panel